Ahead of their big event this weekend, this morning my wife, Andrea Buck, and I delivered this gift to our niece Aryana Buck and her fiance Evan Meyer (owners of Empire Coffee). 

In addition to a nice two tiered hand carved sword stand, they received a 27 inch, mumei (unsigned), late Shinshinto (circa, 1850) Katana from the Mino Province in Japan. 

We wish them many years of happiness together.

Here's an interesting project, in the photos I finished the initial wrap, but I still have to make a few minor adjustments so everything is uniform and all the crossovers are consistent in shape and size.

Take a look at the pictures and let me know what you think. The client only had one menuki, so I rummaged around and found one similar in color and size... Can you tell which one is the replacement menuki, and is it close enough?

 

Here are some photos of our tachi with the lacquered "string" saya... I purchased it in the late '80's. It is a 27.75 inches (70.5 cm) gendaito. Interestingly, we have two tachi by this smith, the nakago and mei are virtually identical, but the styles of the blades seem like they're at opposite ends of the spectrum. On this tachi I just finished rewrapping the tsuka and saya with ito that matched the orignal braid in color, weight, material (a silk cotton blend), and style... Any feedback on this blade would be more than welcome.

I was recently asked, "What colors work best with black rayskin?"

In general, it's a matter of taste, but personally I prefer greens, golds, and blues/teals.  Here are three examples from our collection that kind of illustrate what I'm talking about...  

If you can think of other colors that work with a black rayskin, please share.

A good friend in the sword community recently received recognition by the Japanese government for his excellent work. 

Hans Koga (formerly Hans Igelström of Sweden) has been studying the restoration and preservation of Japanese swords since 2008. After moving to Japan in 2011, he studied at a Japanese sword studio in Tokyo before moving to Kumamoto Prefecture in 2015, where he learned the technique of Higo-koshirae. Today, he works as a koshirae craftsman devoted to both production and restoration. 

Read the complete story at JapanGov (The Japanese government's official web-based magazine - https://www.japan.go.jp/tomodachi/2019/ autumn2019/foj_hans.html).

Recently, we were given this sword... initially I believed it was simply a pre-WWII Chinese officer's sword that was made in Japan... But after some help from a friend who is a Chinese military historian, it turns out that this sword was gifted to a member of the KMT (Kou Ming Tang - Chinese Nationalist Party) by a Chinese politician named Wang Zhaoming (林文傑 - the name engraved on the first side of the blade), with wishes of "deep wisdom and profound courage " (engraved on the opposite side of the blade.

Wang Jingwei (Wang Ching-wei; 4 May 1883 – 10 November 1944), born as Wang Zhaoming (Wang Chao-ming), but widely known by his pen name "Jingwei", was a Chinese politician. He was initially a member of the left wing of the Kuomintang (KMT), leading a government in Wuhan in opposition to the right-wing government in Nanjing, but later became increasingly anti-communist after his efforts to collaborate with the Chinese Communist Party ended in political failure. His political orientation veered sharply to the right later in his career after he collaborated with the Japanese.

Wang was a close associate of Sun Yat-sen for the last twenty years of Sun's life. After Sun's death in 1925 Wang engaged in a political struggle with Chiang Kai-shek for control over the Kuomintang, but lost. Wang remained inside the Kuomintang, but continued to have disagreements with Chiang until the outbreak of the Second Sino-Japanese War in 1937, after which he accepted an invitation from the Japanese Empire to form a Japanese-supported collaborationist government in Nanjing. Wang served as the head of state for this Japanese puppet government until he died, shortly before the end of World War II. Although he is still regarded as an important contributor in the Xinhai Revolution, his collaboration with Imperial Japan is a subject of academic debate, and the typical narratives often regard him as a traitor in the War of Resistance.

This is a very interesting addition to our collect, if you have any further information in regards to the history of this sword, please share.  See the pictures below...

Getting things packed for the Tampa Show.

One thing I'm really looking forward to is the Shinsa - here's the latest update:

A team of experts from the 日本刀剣保存会 (Nihon Token Hozon Kai) of Tokyo, Japan will be lead by Mr. Yoshikawa Eiichi, the son of the late Kentaro Yoshikawa, and like his father, curator of swords for the Japanese Imperial Household Agency, the Shosoin Imperial Repository, the Seikado museum collection and polisher for the Japanese Imperial Household. Swords and fittings will be examined by the team and certificates of authentication issued.

Location: Tampa Airport Marriott
https://www.southeastshowsauctions.com

Dates: March 1st - 3rd 2019
Daily Schedule: Doors open at 8:30 AM

Shinsa: 9 AM-Noon 1PM – 5PM
Q & A: 5PM – 6PM

Hope to see you there!

Occasionally I blend colors. Here is a work in progress that's a perfect example... I received the chigai jabara maki ito last week, and with a prepped handle, I measured and began sewing the alternating colors together (purple and white). Then, after making sure everything was going according to plan, I began wrapping the tsuka.

For this project, I am wrapping the tsuka in the Iro Chigai Jabara Maki style (see: www.tsukamaki.net/tsuka_08.htm

These pics are from when I was just starting, so it may seem kind of rough and the cross overs weren't adjusted or totally secured. Because this is a "delicate" wrap that the client plans on using for practice, as mentioned, I had to stitch/secure the cross-overs to minimize their shifting). Also, on the first cross-over on the ura side, I wove it instead of the regular cross-overs.

Regardless, tell me what you think...

Helped further a research project by some like minded investigators by lending an artifact from our private collection... Getting the photo and "thank you" letter was the highlight of my day.

Received a sword with some interesting mounts yesterday... Made in 1943 by "Kaneshige"; the tsuka is wrapped in more of a handachi style; the leather covered lacquered saya has square buttons on the snaps, and a stylized leather kojiri; and, silver plaque on the side that says,

"A captured Japanese sword presented to Staff General Xiao by General Liao YaoXiang of the Nationalist Chinese Army upon his return, September of 1945."

The photo to the left is Staff General Xiao, the recipient of the sword, and the Chinese General who presented the sword, General Liao, was of great significance in the history of Chinese war against japan, as well as the internal civil war which followed WWII. You can read more about him here:

Anyway, here are a few photos of the sword:

Over the years, I have had the entire spectrum of correspondences from clients, ranging from a brief note with the tsuka to a detailed correspondance cover updates and photos of every step in the process.

Here's a perfect example of the latter, where I was asked to share photos and descriptions of everything, including:

• The tsuka before disassebly.
• All the handle components as they're removed.
• Selecting the new same' (rayskin).
• Applying the new rayskin.
• Ito color options.
• And, "action photos" of the wrapping.

Below are some of the photos shared with this client.  A several of items of note, these don't include the tying of the end knots, the client had me number the photos to make the sequence easier to follow, and because this is Tsumami-maki (pinched wrap), I always stitch the ito at mid-crossover to ensure consistency in the shape and resilency of the wrap.

Mike Yamasaki has sent out an alert: A group of fittings that have been stolen from a collection and may have been offered for sale (see pictures below). If you have any information please email him at info@tetsugendo.com. Thank you, we collectors must stick together.

(original story at: http://www.asahi.com/ajw/articles/AJ201609060067.html)

Fellow faculty member, Dave Anstett, wanted to dress-up for his last day of class, so he borrowed some of my clothes...

Dave's grand daughter was walking past his office on her way to class, when he saw her and stepped out for a group photo.

 

I'm really excited about setting up a little display in my school's library - College of Saint Scholastica. Primarily artifacts from the Edo Period (1603-1868), and includes armor, swords, clothing, dishes, lacquerware containers, and netsuke.  Here are a few pics... Let me know what you think.